Review: The House Gymnastics Book
Houses mean different things to different people. To modernists, they are bold
new machines for living in, while to hobos they are but a wonderful, distant
dream. To House Gym founders James Ford and Spencer Harrison, the home is a space
to explore and play about in: banisters are monkey bars, your living room is
a sandpit, and this analogy has been over-extended, but you get the point.
House Gymnastics , the print bible for those interested in a fast growing
international community, was recently published, bringing moves such as Upper
Door Frame Grab and One-Handed Starfish to a whole new audience.
The basic premise of House Gymnastics is devastatingly simple: strike poses by
balancing on whatever is available to you in your home. There's no particular
purpose to the whole affair, other than your own amusement (and, probably, to
impress girls, but this is just supposition). The book provides a wealth of suggested
moves you can "bust" - it also contains a glossary of HG terms - all accompanied
by stylish line drawings of how these moves should look if "busted" correctly.
The diagrams give the book the feel of a 70s science textbook, and the dry, ambiguously
ironic text adds to the kitsch aesthetic. While it seems Harrison and Ford take
the performance of House Gym quite seriously, their presentation of it is entertainingly
close to a camp comic strip detailing the domestic arrangements of gold medal
Romanian gymnasts. It's quite charming, a stereotypically British mixture of
straight faces and lunacy. It's not all fun and games, though, as "Personal injury
is a likely event" when cocking about in your domestic environment, so be warned.
Although House
Gymnastics was invented after a particularly convoluted attempt to put
up a blind, it has grown, via the deadpan website, into something of
a trend. It's even worked it's way round to notorious culturephobes such
as FHM and at least one economics student I know of. This conjures up
a lovely image of houses across the country celebrating as someone successfully
executes a Shelf Pirouette for the first time, or commiserating when someone
stacks an xXx onto their head. The only thing that stops me wholeheartedly
endorsing this book as a tool of Bill and Ted-like world peace is that
either Harrison or Ford (I forget which) came to a party at my house,
and, in demonstrating some moves to pissed up revellers, knocked chunks
out of my stairwell wall, and my damage deposit. Change the title to
Someone Else's House Gymnastics,
and I'll reconsider my all-important endorsement.
Nick Tebbutt, You Are Here Visual Arts, March 2004